科研之友
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摘要
La fotograf赤a como testimonio de realidades pasadas es, probablemente, el documento m芍s objetivo para conocer la historia. La cultura mapuche, mostrada a trav谷s del lente profesional extranjero, se nos hace conocida, pero a la vez distante. Los l赤mites entre producci車n de una realidad y la vida cotidiana se alejan, generando escenarios que realzan exotismos. Photography as a witness of past realities is, probably, the most objective document for knowing history. The mapuche culture, shown through this professional foreign lens, has been made known albeit distantly. The limits between production of a reality and everyday life are distanced, generating scenes that highlight the exotic.
