摘要

in this study i examine the concepts shown by juan emar in his reflexive-character writings from the %26apos;20s (cavilaciones (1919-1922) and articles on art (1923-1927). these concepts build up a systematic semantics net that allows to propose a global interpretation of emar%26apos;s work understood as a unit of sense. this conceptualisation is an occultist metaphysics that refers to the individual-world relationship as a cognitive and constructive-creative relationship according to eurythmic poetics, the base of which is a theory of equilibrium governed by numerical-geometrical laws. here, i claim that there is evidence of this constructive system working in emar%26apos;s writing practice of fiction texts from the %26apos;30s (ayer, diez and umbral).

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