科研之友
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摘要
%26quot;political theatre%26quot; does not often mean very much - no more than the incantation of the statement %26quot;all theatre is political%26quot;. but what does politics represent in that case? this article understands %26quot;political%26quot; in the sense of %26quot;communism%26quot;, in the same way the philosopher alain badiou has recently defined it in his theory of emancipation. indeed what he proposes is the hypothesis of a %26quot;communist hypothesis%26quot;. the purpose of this paper is to question the potential incidences of the relation between politics and the only emancipatory and egalitarian perspectives on the %26quot;political theatre%26quot; (a theatre of %26quot;communist hypothesis%26quot;). in this way it aims to sketch out after badiou a first periodization of this kind of theatre; to reflect on the apprehension of its history and to start examining its strategies and functions.
