摘要
This paper is hinged on the following propositions: in no other region in Africa are the arguments about the role of the artist in the &public* sphere more intense as in North Africa. The problematic of what constitutes the &public* sphere in North Africa is circumscribed by the struggle for and the contest over &power*, &status* and &authority*; the attempt by North African writers, particularly Najib Mahfuz (d. 2006), to mirror the socio-political and cultural fissures and contradictions in the public sphere usually leads to conflict not only over what constitutes the &public sphere* and who governs it, but equally on how the &private* and the sphere &in-between* could be reclaimed for the &public good*. In grappling with the foregoing, the paper rereads Najib Mahfuz*s Awld Hratin 1959). In reading for &meaning* and the &meaning of meaning* in Awld Hratin, the paper pays attention to the socio-political and cultural codes provided by Najib Mahfuz, even as it searches for possible theoretical insights that the works of Arab-African and Euro-American writers including Ibn Qayyim, Abdul Qhir al-Jurjn, Edward Said, Michel Foucault and Benhabib could yield in an excursus which probes into how the trialectic of power, status and authority continues to shape the &public*, the &private* and the sphere &in-between* of Egyptian society.