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摘要
The article proposes to extend the knowledge of the figure and work of Victor Legley. It offers some notes about his life, studies and professional activities. It informs about his activities as a musical philosopher, and makes some of his thoughts known about contemporary composition, music＊s social function, the composer＊s role, and the relations between composer, interpreter, critic and management, today. The major part of the article is dedicated to his compositions. La Cath谷drale d＊acier, opus 52, from 1958, has been chosen for an analytical research on his intense thematic work, typical for his production, and also to establish the general characteristics of this composition, representative of much of his work. Finally, we present some conclusions on the importance of his ideas and his production as a composer El art赤culo propone ampliar el conocimiento de la figura y obra de Victor Legley. Empieza con unos apuntes sobre su vida, sus estudios y actividades profesionales. Destaca sus actividades como pensador de la m迆sica, y da a conocer algunas de sus ideas sobre la composici車n contempor芍nea, la funci車n social de la m迆sica, el papel del compositor, el nivel est谷tico en nuestros d赤as. Buena parte del art赤culo se centra en su producci車n compositiva. Se ha escogido La Cath谷drale d＊acier, opus 52, de 1958, para hacer una investigaci車n anal赤tica del intenso trabajo tem芍tico, que es propio de su obra, y para establecer la caracter赤sticas generales de esta composici車n, representativa de buena parte de su obra. Finalmente, se presentan unas conclusiones sobre la importancia de las ideas y la producci車n compositiva de Legley.
