科研之友
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摘要
this paper concerns roland barthes%26apos; strategies of writing, its relations to historical modalities of textuality (such as the %26quot;classical%26quot; and the avant garde ones), and its implications towards the act of reading. our aim is to demonstrate that barthes%26apos; writing always moves itself in the subtle interval between the avant garde text (which hinders the fluency of reading, imposing its own appropriate velocity) and the %26quot;classical%26quot; text (which is committed to a confortable practice of reading).
