科研之友
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摘要
The purpose of this study is to analyze the tenets that relate to Dada＊s self-understanding of art. The phenomenon Dada is notoriously difficult to describe; some critics hesitate even to use the term ※movement.§ Focusing on Dadaists＊ reflections about the phenomenon itself, we will try to delineate a general image of the Dada in the context of the European avant-gardes of the 20-th century. We will also try to analyze the historical and political context inside which the dada phenomenon occurred. Our main focus will be on two main tenets of Dadaism: the ※self-critical§ feature of Dada＊s self-image as it emerges during the main phases of its history, especially during its early phase, and the political commitment of Dada during its last phases of development.
